The Tomb of Nick Cage
Cryptids and Creatures, 2019
Independent
When you are asked to describe the Tomb of Nick Cage lots of things come to mind, punk, metal, horror, goth, aliens, monsters, hard rock, the 1980's, the 1990's, 2000's, 1800's, weirdos, tubs of blood, New Orleans, witches, werewolves, Nicholas Cage movies, humor, government conspiracy theories, cryptozoology, green things, any number of other things that go bump in the night, and anyone of those things would be correct . . . very correct.
The end of 2019 brings us the second full length album from these horror punk/metal whatever you want to call it, rock stars.
Cryptids and Creatures the followup to 2017's
Pharoah of New Orleans is an expansion of the sound and sonic attack brought to you by Kym Trailz and the boys, and is an album you must own.
Cryptids and Creatures is has eleven amazing tracks that get better with each listen, nine of them are brand new with two remastered songs that were released earlier
Krampusnacht as a single and the original version of
Grunch Road on the out of print compilation
Wolfman Chuck Presents: The 3rd Horror.
The album begins with an ode to those who hide behind the internet and social media and try to destroy the people they hate or who are more likely jealous of, with lies and deceptive "truths".
Crucible is heavy and angry and a punch in the mouth to all of those who spend their time tearing down instead of building up the people around them. Scrams of "
Hypocrite, hypocrite, everybody burn the witch" will make you shake your fist in the air with rage.
Rougarou takes on the tail of Louisiana's own version of the werewolf and speaks of other baddies that lurk in the deep dark swamp. The song is heavy yet danceable (in a punk rock kinda way) with a really great guitar solo at the end.
Next up an alien invasion occurs on
Night Of The Lamprey but the lyrics may just be talking about something more that slimy alien invaders . . . maybe a diss track as all of the kids enjoy these days.
"It's the night of the lamprey, and all you do is suck" is quite possibly the best lyric I've heard this year. The song thumps along with thumping bass and crunchy guitars, and a drum beat that you can bang your head to. This is definitely one of my favorite songs on the album.
The next track has been in the live show for a little while and was intended for use in a movie soundtrack (not sure if that happened) but Nailgun Massacre is a definite shedder. The theme of the song is simple
"It's all about a massacre in Texas, where the bodies lay to rest, and a masked man is a reaper, A chainsaw? No! Nailgun is cheaper." with tongue in cheek lyrics like this you'd think that the songs was a throwaway horror novelty but it's delivered seriously with a punk (kind of thrash metal) honesty that you are going to start a mosh pit with your little sister and run through the house screaming
"Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! NAILGUN!"
Stop the presses . . . what is this? A Trumpet? Oh snap Ted LaRocca lends a hand on
The Guns of Castor Troy a song based around the character Nicholas Cage played in the movie
Face/Off. This song rocks and this trumpet thing works so well with this. The Tomb of Nick Cage take chances most wouldn't and they bend what you think they should be shove it in your face, take it for everything it's worth and leave the ground burning behind them.
Ohhhhhh the next one is about the Mothman y'all!!!! With Blazing guitars and talk of
"Evil In The Skies" the horror of Point Pleasant, West Virginia is now glorified in this fast paced rocker.
Next we have the biggest surprise of the album . . . I heard rumors from band members about this one being something different and without a doubt it is amazingly and quickly becoming my favorite song on the album.
Bikini Atoll, you know the island that the United States government did nuclear bomb testing on between 1946 and 1958, is now a song that will be with me forever. The weird thing about this song is that the song is mostly acoustic . . . what? . . . and although it's subject matter dark and sad, this song feels so much like going home to me. It feels like another time, a simpler place, it is having an effect on me that I never expected. Kym Trailz throws away her screams and presents a softer more beautiful style of vocals that we have not seen with this band before. The band tones it down so much that you would thing this was something entirely different, with sing along backing vocals of
"Oh, Oh, Oh" make this terrible tale into a beautiful song. Oh and sampling the haunting
"creepy broken tornado siren in Chicago" video is complete genius.
MK Ultra . . . well this leaves that acoustic stuff behind with a fast paced thrashing mosh pit turner. This one takes the tales of the C.I.A.'s experiments with mind control over citizens with drugs . . . but also brings in aliens and becoming an assassin with
"a code word just for you." This one is heavy and fast just like the doctor uhhh . . . C.I.A. ordered.
Grunch Road . . . a tale that I only know a little bit about in my own neck of the woods New Orleans apparently has it's own Chupacabra/Dogman sightings. This is a fun song about cryptids in New Orleans, getting scared and finding out what's really going on out there in Eastern New Orleans.
Ok the next song is the hardest song to spell that this band has ever done . . .
Krampusnacht . . . I don't ever want to type that again. This one is a bit different as well as Kym Trailz gives way to Aaron McGuire and Taylor Suarez to take over on lead vocals as they do a black metal-esque holiday of horror song that will have children living in fear of the Krampus for years to come. This song rips a new one into the holidays. Being it a holiday song I kind of wish it was a secret track like they used to do on CD's in the 1990's where you finished the album and they ten minutes later you hear this crazy song.
Lastly
Crop Circles this one is the longest track on the album it's a fast paced song that is the standard Tomb of Nick Cage punk sound but it also has a rockabilly feel to the way the bass and drums are played . . . I'm wondering if Sean Mooney is playing an upright bass on this . . . Edward Joubert is definitely playing upright drums. This one is definitely a great way to end the album, and speaking of of secret tracks it ends with some sort of crazy swamp sounds and a short spoken part.
This album is absolutely what I've been waiting for, I've listened to it ten times in less than 24 hours . . . get out there and add this to your collection and run around everywhere screaming
"Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! Nailgun Massacre! NAILGUN!"
The album is out now, you can find it on Bandcamp, iTunes, Spotify, Amazon, CD Baby, and more.
Find the Tomb of Nick Cage at www.thetombofnickcage.com and Facebook
Kym Trailz - Vocals
Sean Mooney - Bass
Arron McGuire - Guitar
Edward Joubert - Drums
Taylor Suarez - Guitar
-Kevin P. Johnson
All content Copyright ©2019 Kevin P. Johnson, Album art Copyright ©2019 The Tomb of Nick Cage